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whiskey-wolf:


Ryuto Sawada vs HIRO
2013.10.05 - Vale Tudo Japan 3rd





ugh suplexes are so awesome

whiskey-wolf:

Ryuto Sawada vs HIRO
2013.10.05 - Vale Tudo Japan 3rd

ugh suplexes are so awesome

(Source: notsuperstitious, via 1008grams)

laughterkey:

picklesandwine:

cracked:

Do you or someone you know suffer from Before Syndrome?

The Horrifying Truth About Those People in TV Commercials

(Eggs is becoming my version of laughterkey's potatoes!)

J’approuve!

we-did-an-internet:

arcaneimages:

This taxidermy was found inside a late 19th-century French mansion which has been sealed up for more than 100 years. Via National Geographic.

Good to know people were just as fucking weird before the internet.

we-did-an-internet:

arcaneimages:

This taxidermy was found inside a late 19th-century French mansion which has been sealed up for more than 100 years. Via National Geographic.

Good to know people were just as fucking weird before the internet.

(via laughterkey)

(Source: ffffffound, via woman-unkind)

petewanks:

if u see me smiling in public it means im laughing at the jokes i tell myself in my head 

(Source: petewanks, via woman-unkind)

fuckyeahsciencefiction:

androidghost:

Frank Frazetta Battlestar Galactica (1978)

                        Poster & Concept Works

l3t-it-roll:

I’m having nostalgia about a decade I never lived in

(via woman-unkind)

bombsfall:

tenaflyviper:

The Innovations of Fleischer Studios  

Besides changing the face of animation by bringing the world the invention of the Rotoscope, as well as the concept and animation technique of "Follow the Bouncing Ball" sing-alongs, Max Fleischer and his studio also pioneered a revolutionary technique in animation, known as the “Stereoptical Process”.

In this process, a circular, 3-D model of a background - a diorama - is built to the scale of the animation cells.  It allowed for a spectacular sense of depth and dimension, long before Ub Iwerks came up with the Multiplane.   Within the model setup, the animation cells could be placed at varying levels from the scenery, and even between objects, so that foreground elements could pass in front of them, adding to the dimensional effect.  It was an effective method for panning and tracking shots, which would require a turn of the table with each photographed cell of animation.

The process was used in many of the studio’s cartoons, particularly in their longer, “two-reel” shorts, such as Popeye the Sailor Meets Sindbad the Sailor (1936), Popeye the Sailor Meets Ali Baba’s Forty Thieves (1937), and Betty Boop in Poor Cinderella (1934) - the only color (albeit in two-strip Cinecolor), theatrical cartoon ever made starring the iconic animated songstress, which features her as a redhead!

So interesting :D

Possibly my favorite thing to happen during that period of animation.

(via wilwheaton)

troubleb:

blckfrida:

plaingold:

ventureandvirtue:

Rap artists boycott the 1989 Grammy’s for not televising the Best Rap Performance award presentation.

25 years later Mackelmore is winning rap category Grammys
No progress has been made

no progress will ever be made

Reblogged again because that last comment saddened me

troubleb:

blckfrida:

plaingold:

ventureandvirtue:

Rap artists boycott the 1989 Grammy’s for not televising the Best Rap Performance award presentation.

25 years later Mackelmore is winning rap category Grammys

No progress has been made

no progress will ever be made

Reblogged again because that last comment saddened me

(Source: twitter.com, via 1008grams)

croonerampora:

WHAT THE FUCK HAPPENED

croonerampora:

WHAT THE FUCK HAPPENED

(via 1008grams)